Contemporary art in the production of manufactured goods is expressed in three main ways, autonomous but interrelated: Arts, Design, Handicraft Art. The terminology in use today appears to be ambiguous and outdated.

Perhaps the contemporary creativity can not be attributed to historical divisions and their implicit hierarchy of values. The three systems should be considered equivalent in their time and conceptual design and distinguishable and noticeable in the manner of production, distribution and consumption that characterize them and their strategies of image and communication. Is it something else?.

“Bildung” is a cross-sectional view, different materials, hands do make possible different worlds differ. And ‘the strength of his vision that builds the power itself, and this depends on the complexity of the tools and artifacts-artifacts in play. This collision of parties also served as an attempt to create trade, an “éclat” sparks, a small fire, an emphasis on the differences as a value.

The post-reality of art and form, the drama ends with the unmasking intangible there where the microscope of technological research decides relational mazes that give rise to memory locations and function in the machine of the present, having already had a future in which planning is being aware of its specific gravity, or what we had in years dell’apoteosi virtual forgotten that real root which is also nell’esasperata electronics technology, the specific gravity of a file, its can not reduction to object, but at the same time his unyielding material consistency.

“Bildung” is a new beginning, the project is not chasing problems that seem to run too fast but he stops to reflect on the very essence of these problems, because only by asking the target of a model of transformation we can also give meaning to our project . The road is uphill and a closer analysis shows that, as written by J. L. Le Moigne, “The complexity is in the code and not in the nature of things … and then … if built, the complexity becomes more intricate design.” The phenomenon produced is not in itself neither simple nor complex, but it notes that you can perceive it, based on its experience in terms of cognitive and emotional disorder, multiplicity of elements, difficulty … we redefine it as a poetics of the fragment. A non-hermetic but rich, different, able to convey an emotion thin.

More Info:
Galleria Tannaz
via dell’oche, 9-11 r
50122 Florence
tel. 055 219274

BILDUNG
Artifacts and artifacts. the hourglass shape of the complex. Dialogue of many voices.
Expose Eva Basile, Silvia Cardini, Lino Centi, Terry Davies, Antonio Dei Rossi, Lucio Diana, Marjon Hoogendyk and Stefano Innocenti
By Angelo Minisci
Duration and place of the exhibition: Florence March 13-April 13 2010.
Inauguration: March 13, 18:00
Opening of the exhibition :10-13, 16-20
Officer: Roberta La Rosa – Studio Bl @ m design & communication
Closed: Monday