With “the Center of the Arts” is to propose a palpable analysis of tastes and cultural signals that Italian artists and foreign languages, educated and articulate with through powerful testimonies. Casket Hesiodic works and days open to reveal images that seem to keep it a secret, like an oracle, the center of the world. E ‘so that this project created and directed by the distinguished Historian Prof. Carlo Franza, Plan International, sampling a kind of map of the art world in which the nodes are presented most original Cultural History of Contemporary Art . The collective dreams suggest different images and everything is repositioned in this path according to a logic textual and geographical focus, because art is also a political weapon.

The exhibition in the hall of Euterpe and Bacchus puts it in a frame with the title “Mythologies of the World” valuable maps of the Italian artist who revitalized through the four essential elements of a world of beauty that oozes fun fluorescence variables alchemy.

Inauguration will feature the artist who will sign the catalogs, customizable, and the participation of intellectuals.

Carlo Franza writes: “Observe and describe its essence in his paintings of Eugenia Serafini is located in an area that is still abstract-informal, while living its natural reflection in a cultured atmosphere of myths and legends, traces and naturalness is manifested as the propagation of matter-energy-related aspect epidermal sign. We will see how our artist capable of painting conditions are pushing on paper, canvas, installations, some declined to ‘abstract expressionism in Europe, but also capable of highlighting a survey of the deep roots of this painting, which gradually moves away from the spontaneity of gestural to extend opportunities, to check the bottom of the impulse that moves pictorial analogies and life processes.
There is only a formality informal, but for her champion of the drawing, there is the awareness of a tension that leads to a global space and time where color, shape and body, are activated in an enclosure where the operation manual because of its picturesqueness is in the act and comply gesture that makes it exist, leaving the emergence of a sort of reappropriation of the world, subject to certain procedures atmospheres through language.
Eugenia Serafini color rewrites the mythologies of the world, the earth and sky, reducing and making signs and memory to the great wealth of Nature. In his works live art ‘s energy of visible and invisible, in the sense that everything starts to live in another form, because of inner wealth poured and able to read not only leave a geography of the world, but also a existential and human geography. Besides the needs of memory are still one of the aspects that characterize the artistic research, a vast region traversed by the path that the artist undertook, leaving the evidence of images of the overrunning between land and sky, between new interpretations and allusions, to the fluctuation of a knowledge-changing and complex, where past present and future are magnetized by a rising where thinking, conceptual dress, ceremony and fetish models are significant.
Serafini has always worked on issues, arguments, creative team, this suffices to say that the ranking encyclopaedic ratifying each fragment, the charm of randomness, the transitability styles and the accumulation of techniques, the practical construction which carries with do alchemy explores the universe, the whole cosmos, leaning toward a longing for purity, synthesis in which everything comes back, flying in space told with elegance and artifice optician.
Universe is left to read all his artwork, but any pictorial form enters into a relationship with a sensibility that goes beyond the painting, he plunges into a philosophical conception of nature, and dig for the sacred breath of the divine that everything moves, waves, converts and recasts, because this is not an ecological intervention, aimed to warn the company, but the discovery of phenomena needed to provide continuity in the life cycle, where clarity, liquidity, timbre and tone color, light surfaces the light that passes, vibrates, nails and shows the beauty.
Do not forget that the work of Eugenia Serafini is an intense excavation, a transmutation aesthetics of painting, a subtle and secret intentions to change surface mimate poetic images and colors a ferment around an orchestra and poetry that holds together the entire creation .

Short biography of the artist
Eugenia Serafini, Professor of Design at the University of Calabria, was born in Tolfa (RM), charming small Etruscan village in 1946 and its cultural path led her to become outstanding artist in contemporary international. Figure complicated and interesting and creative writer, has taught at the Accademia di Belle Arti di Carrara and the Enlightenment and the Academy of Visual Communication in Rome. Installazionista poet and performer, has worked for years to contamination and intermedia art total, using and merging the creative contributions of the different branches: from the visual-digital and theatrical, poetic and musical that uses the creation of his performing installations. Head of Publishing dell’Artecom-HK, he has created and directs the book series “Artists and the Section for the Ex-Libris and is responsible for sections of Contemporary Art and Literature magazine FOLIVM. His publications include numerous essays and monographs on modern and contemporary artists.
It boasts a vast production of creative writing and art books. His latest publication is the beautiful book of poetry, visual and performing arts with a CD of his performances, “Songs of Chant”, Rome 2008, which dall’indimenticabile professor Mario Verdone that has been close for many years in her artistic and existential . Produce years of Culture events in the Territory in the city of Rome and multimedia events with international participation at the highest level. It ‘been invited to Stages, Symposia and performative installations in Italy, USA, Eastern Europe, Egypt, France, Romania, Ukraine and in 1998 he founded the Museum of Contemporary Art “Micu Klein” of Blaj, Romania. Her works are in museums in these countries and in private collections. Among the recent investments: 53rd International Art Exhibition Venice Biennale, 2009; 66th Venice International Film Festival in Venice in the movie “poet” by Tony D’Angelo; Premio Sulmona 1998, 2006, 2008, 52 International Exhibition Art and the Venice Biennale, 2007; ARGAM Roman Spring-2005; Premio Michetti 2003; Italy Award for Visual Arts 2001.

Editor’s biographical notes
Carlo Franza, born in 1949, is a historian of Modern and Contemporary Art, Italian. Art Critic. E ‘lived in Rome from 1959 to 1980 where he studied and earned three degrees from the State University La Sapienza (Letters, Philosophy and Sociology). He graduated with Giulio Carlo Argan of which he was a pupil and assistant. Since 1980 he is in Milan where he still resides. Professor of Modern and Contemporary Art History, Professor of Italian Language and Literature. Visiting Professor in the Academy of Fine Arts of Brera in Milan and many other universities abroad. Teacher Master’s Degree in “Management and Enhancement of Cultural Heritage” at the IED in Milan. E ‘was indicated by the “Times” among the ten most important art critics in Europe. Journalist, art critic from 1974 to Il Giornale di Indro Montanelli, today Available founded and directed by Victor Felts. E ‘founder and director of the Foundation MIMAC Don Tonino Bello. He has dozens of books and thousands of key publications and catalogs with presentations of exhibitions. It is concerned the most important artists of the world which has been responsible prestigious exhibitions. 2001al From 2007 he was Adviser to the Ministry of Heritage and Culture. He won for Journalism and Art Criticism Award Cortina in 1994, the Prix Saint Vincent in 1995, the Award Bormio in 1996, the Prize in Milan in 1998, and the Prize of the Arts Award of Culture in 2000, where he is jury president since 2001.

From February 27, 2010 to 11 June 2010

Schedule: Thursday to Sunday events

For information:
Tel: + 39 055 65 07 91 – +39 334 10 80 164